A special art form
A recent survey by the Phu Tho provincial Department for Culture, Sports and Tourism shows that although Hat Xoan still exists in 17 communes in Phu Tho province, the old Xoan songs have been heard only in four places, An Thai village in Phuong Luu commune and Thet, Phu Duc and Kim Dai villages in Kim Duc commune.
At present the number of famous Xoan singers is decreasing and most of them are very old. In addition, many young people, especially those who have left their native villages, are unfamiliar with the songs. So, it is no easy task to teach the young generation the old folk songs.
Researcher Dang Hoanh Loan, former Vice Director of the Institute for Vietnamese Music, says Hat Xoan is also known as Hat Cua Dinh as it used to be performed in front of the village Communal House. It includes music, songs and dances and is performed in the village spring festival in Phu Tho.
 |
| Researcher Dang Hoanh Loan |
Hat Xoan is considered to be professional and well-organised Vietnamese folk music. Singers in Xoan groups are usually members of an extended family.
Hat Xoan is organised to entertain villagers and honour the gods and the Hung Kings and also to pray for good luck and bumper crops.
The significance of Hat Xoan finds expression in the way villagers welcome the Xoan singers with great fanfare - young men wearing white clothes and red turbans and carrying small drums. They will start beating the drums when the singers cross the river and later hand the instruments over to them when they arrive in the village. And the troupe will continue singing love songs until they reach the door of the Communal House where they will perform to honour the gods.
Ways to preserve Hat Xoan
UNESCO has recommended a public preservation model to help raise public awareness of the need to maintain and develop this valuable cultural heritage. As Hat Xoan is part of Vietnam’s traditional village festivals, it should be given due credit.
Professor To Ngoc Thanh – Chairman of the Vietnam Folk Letters and Arts Association, says related offices should invest in costumes, musical instruments the recovery of original Xoan songs.
In addition, Vietnam should encourage secondary schools to include Hat Xoan in their curriculum and confer the official title of outstanding artisan, he added.
Dang Hoanh Loan says in order for Hat Xoan to be recognised by UNESCO as part of the World Cultural Heritage, scientists should study Hat Xoan in all of the 18 villages in Phu Tho province to understand its values created and passed down from generation to generation and to help preserve and develop this special art form.